Maa Siddhidatri

Maa Siddhidatri is the ninth form of the Goddess Durga, the meaning of her name is as follows: Siddhi means supernatural power or meditative ability, and Dhatri means giver or awarder. She is worshipped on the ninth day of Navaratri(nine nights of Navadurga), she fulfills all the divine aspirations and completes the mundane.

This form of the goddess is the epitome of completeness and prosperity. She is the suppressor of all the demons and giver of desired fruits to her devotees. Goddess Durga had killed all the egoistic demons between the first and the ninth day of the Navratri by taking various forms. As a result, all the auspicious tasks of humans and devatas gets accomplished. Hence this form of the goddess is popularly known as Siddhi-Daatri in the world. For fulfilment of all the desires and efforts of both humans and celestial beings, goddess Siddhidatri had manifested on an auspicious day. She is the giver of liberation and is the most auspicious. Because she is the giver of the highest goal of the human life (salvation) she is considered as Siddhidatri and is worshipped in this form.

In this form Durga is seated on a lotus and is four-armed. She holds a lotus, mace, Sudarshana Chakra and shankha. In this form Durga removes ignorance and she provides the knowledge to realize that or Brahman. She is surrounded by Siddhas, Gandharvas, Yakshas, Asura (Demons) and Devata(Gods) who are worshipping her. The Siddhi that she provides is the realization that only she exists. She is the mistress of all achievements and perfections.

She is served among the eight supernatural powers or the siddhis named Anima, Mahima, Garima, Laghima, Prapti, Prakambya, Ishitva and Vashitva. Anima means to reduce one's body even the size of an atom; Mahima means to expand one's body to an infinitely large size; Garima means almost becoming infinitely heavy; Laghima means becoming almost weightless; Prapti means having unrestricted access to all places; Prakambya means to realize whatever one desire; Ishitva means to possess absolute lordship and Vashitva is the power to subjugate all. Lord Shiva was blessed by Siddhidatri by being given by all the eight powers, they were requested and required to run the creation in his Ardhanareshwar form of half Shiva and half Shakti.


Her worship broadens the paths towards divine powers and Nava-nidhis (treasures). Hence wise men should worship her in a proper manner with faith and love for the betterment of their families. There is a special tradition of offering fragrant flowers and in the naivedyam (eatable offerings) one should offer kheer and halwa and one should also offer a coconut during the pooja. After the detailed poojan one should also try to perform a havan (fire ritual). After this, one must invite and worship nine girl children (one for every form of goddess Durga) along with a boy child. They must be served well with delicious food and gifts as per one’s capacity. After doing this, one must faithfully conclude the poojan. This gives one the desired results and overall success. With the motherly grace of the goddess, the devotee leads a happy and peaceful life.

Legend as per Puranas

Throughout the Puranic literature, we find many instances related to goddess Sri Siddhidatri. There are some important instances given in Durga Saptashati. Because of the power of this goddess one gets success, wealth, and prosperity in the lift. One is also able to remove the rifts of the family and enhances love and affection in the family. Hence one must understand that she is the omnipresent power of the universe. In one of the stories, the goddess herself reveals to the demon that who else exists in this world except me? All the forms of the goddess are verily me and they enter back in me. Forms of goddesses like Brahmani etc. then merged into the body of goddess Ambika. Then the only one remained was Sri Ambika. It was only me who manifested into many forms with my grandeur and power and they merged back in me. Now I am standing alone on the battlefield, now you also get ready for the battle. Then a great battle started between the goddess and demon Shumbha and also between devas and demons. Sages said that when great demon Shumbha was approaching near the goddess, she took her trident and pierced his chest after which he fell down. With this mighty attack, he was killed. When he fell on the ground he shook all the mountains, islands, oceans, and the entire earth. After the death of this demon, the whole world was happy and stable again, the sky also started to appear clearly than before.  The disastrous events such as rains and meteorite showers were then immediately stopped. After the death of Shumbha, the rivers also started flowing back in their natural course.

Significance of goddess Siddhidatri

Apart from granting success and powers, she is very well known for saving devotees from diseases and fears and making life more positive and meaningful. Hence devotees should worship her with a positive mindset. Not only humans, but she is always venerated by devas, danavas, manus, and the Gandharvas too. There is a special significance of her for those wishing for prosperity. While singing the glory of the goddess, many celestial devatas said “O Devi! You are the dispeller of pains of those who take refuge in you.  Kindly grace us with your motherly affection always. O Vishveshwari! Please protect the worlds. Devi! You are the empress of the whole universe. You are the only base of this universe because you are the one whose energy manifests as the earth and other planets. Your heroism is unexplainable. You are the one who nourishes the world in the form of water. You are the mighty powerful form of Sri Vaishnavi. O, Goddess Para! You are the very source of this creation. Devi! You have mesmerised the whole world as a part of your divine play. With your grace, you bestow the noble devotees with final liberation”. 

Mata Siddhidatri is said to provide direction and energy to planet Ketu and hence devotees suffering from bad effects of planet Ketu must worship her as she governs the celestial body. Individuals observing her fast must offer her night-blooming jasmine as they are her favourite while chanting this mantra-

ॐ देवी सिद्धिदात्र्यै नमः॥

Om Devi Siddhidatryai Namah.॥

Prarthana -

सिद्ध गन्धर्व यक्षाद्यैरसुरैरमरैरपि।
सेव्यमाना सदा भूयात् सिद्धिदा सिद्धिदायिनी॥

Siddha Gandharva Yakshadyairasurairamarairapi।
Sevyamana Sada Bhuyat Siddhida Siddhidayini॥

Stuti -

या देवी सर्वभू‍तेषु माँ सिद्धिदात्री रूपेण संस्थिता। नमस्तस्यै नमस्तस्यै नमस्तस्यै नमो नमः॥
Ya Devi Sarvabhuteshu Maa Siddhidatri Rupena Samsthita।
Namastasyai Namastasyai Namastasyai Namo Namah॥

With constant sadhana, one can certainly achieve the blessings of the divine goddess and finally attain moksha (liberation). 

Maa Mahagauri

Maa Mahagauri is the eighth manifestation of goddess Durga and amongst the Navadurgas. Mahagauri is worshipped on the eighth day of Navratri. According to Hindu mythology, Goddess Mahagauri has the power to fulfill all the desires of her devotees. The one who worships the goddess gets relief from all the sufferings in life.  Maa Mahagauri has four arms. Her right arm is in the pose of allaying fear and right lower hand holds a trident in it. She holds a tambourine in her left upper arm and the lower one is in the form of a blessing.

The name Mahagauri means extremely white, as she was white in colour and very beautiful (Maha = great; Gauri = white). Mahagauri is usually depicted with four hands, the hands holding a trident, lotus and drum, while the fourth is in a blessing gesture. The lotus is sometimes replaced with a rosary. She rides a white bull, usually shown wearing white clothes.

The story of Mahagauri's origins is as follows: The demons Shumbha and Nishumbha could only be killed by a female child of Parvati. Hence, as advised by Brahma, Shiva used his magic to turn Parvati's skin black, giving Parvati the epithet "Kali", meaning "black". However, the word "Kali" can also mean "death", so Parvati was teased. Parvati was agitated by this teasing, so she performed severe penance to Brahma so as to get her fair complexion back. She succeeded in her penance and was advised by Brahma to take a bath in the Mansarovar River in Himalaya. As she took a bath, her dark skin separated from her and took the form of a female. She was called Kaushiki, being born from the skin of Parvati. As a result of the separation of her black skin, Parvati got her white fair complexion back, and so she gained the epithet "Mahagauri". Still, for the task of demons' assassination, she gave her fair complexion to Kaushiki and she (Parvati) again attained the form of Kali. Goddesses Saraswati and Lakshmi provided their powers to Kali as a result of which Kali transformed into Chandi (Chandraghanta). Chandi killed demon Dhumralochan. Chanda and Munda were killed by Goddess Chamunda who appeared out from the third eye of Chandi. Chandi then transformed into Kaalratri again to kill Raktabija and Kaushiki had killed Shumbh and Nishumbh, after which she got merged with Kali to transform her back into Gauri. Hence, Goddess Kaushiki too got merged with Parvati, hence giving her the titles of Mahasaraswati and Ambika.

Another story tells that Parvati a dark complexion, but in a different version runs as follows: Goddess Parvati made up her mind to perform an austere penance as advised by Sage Narad so that she might beget Lord Shiva as her husband. So, she renounced all the comforts of the palace and started performing penance in the forest. Her severe penance continued for many years. She braved heat and cold, rains and drought and terrible storms. Her body was covered with dust, earth, soil and leaves of trees. She had developed a blackish skin over her body. At last, Lord Shiva appeared before her and gave his solemn word that he would marry her. He bathed her vigorously by the holy waters of the Ganga emanating from his matted hair. The holy and sacred waters of Ganga washed off all the dirt clinging to Parvati’s person and she became white-complexioned and glorious. Thus by virtue of having acquired a white complexion, Parvati came to be known as Mahagauri (Extremely Fair).

This auspicious eighth day falls on Ashwin Shukla Ashtami and devotees worship the idols of both Goddess Gauri and Lord Shiva. Worshippers chant the following shlokas throughout the day and night to be showered with blessings of this deity.

Shwete Vrishe Maha Rudha Shwetambardhara Shuchih |
Maha Gauri Subham Dadhyanmahadev Pramodada ||
Sarva Mangala Maangalye, Shive Sarvaartha Saadhike |
Sharanye Tryambake Gaurii, Naaraayanii Namostute ||

The shlokas mean that Goddess Gauri is the abode of all auspiciousness and is the consort of Lord Shiva. I worship such Devi Gauri who loves her children and I bow to her and seek refuge at her feet.

The eighth day of Navratri encompasses grand celebrations, customs and rituals as per the standard rule books of Hindu procedures. Of all forms of worship, Kanya Poojan is considered very sacred wherein the ladies invite nine little girls (who are yet to reach puberty) for lunch at their homes. These girls are worshipped as Nine forms of Goddess Gauri and fed with delicacies. Numerous sweet dishes are prepared and offered to Goddess as well as to the nine little guests. This ritual apparently accomplishes the purpose of Pooja to Gauri Mata and the worshippers are blessed.

The worship of Goddess Gauri on the eighth day of Navratri is considered to cleanse the influence of bad deeds. She is said to be influential to direct the devotees on the path of morality, loyalty, honesty and blessed with long-life. Ladies who are unmarried worship for a husband of their dreams, a good life partner while the married ladies worship for kids and life long relationship with their better half. Ladies prefer to fast for the whole day to achieve their wishes. It is said that none of the worshippers return empty handed from the doors of Goddess Gauri.

It is believed that the planet Rahu is governed by Maa Mahagauri. 

Maa Kaalratri

Kaalratri (sometimes spelled Kalaratri) is the seventh form amongst the Navadurga (ie. the nine forms of Hindu Mother Goddess referenced in Durga Saptashati, Chapters 81-93 of the Markandeya Purana, the earliest known literature on Goddess Durga). Goddess Kaalratri is widely regarded as one of the many destructive forms of Mother Goddess - Kali, Mahakali, Bhadrakali, Bhairavi, Mrityu, Rudrani, Chamunda, Chandi and Durga.

Kaalratri is traditionally worshipped during the nine nights of Navratri celebrations. The seventh day of Navratri pooja (Hindu prayer ritual) in particular is dedicated to her and she is considered the fiercest form of the Mother Goddess, her appearance itself invoking fear. This form of Goddess is believed to be the destroyer of all demon entities, ghosts, spirits and negative energies, who flee upon knowing of her arrival.

The Saudhikagama, an ancient Tantric text referenced in the Silpa Prakasha, describes Goddess Kalaratri as being the goddess that rules the night portion of every day and night. She is also associated with the crown chakra (also known as the sahasrara chakra), thereby giving the invoker, siddhis and niddhis (particularly, knowledge, power and wealth).

Kaalratri is also known as Shubankari - meaning auspicious/doing good in Sanskrit, due to the belief that she always provides auspicious results to her devotees. Hence, it is believed that she makes her devotees fearless. Other less well-known names of Goddess Kaalratri include Raudri and Dhumorna.

One of the earlier references to Goddess Kaalratri is found in the famous epic, the Mahabharata (dated between 300BCE - 300CE), specifically in the Sauptika Parva (Book of Sleeping), the tenth book of eighteen forming the full epic. The context of her appearance in this portion of the epic occurs at the end of the historic battle between the Pandavas and Kauravas. Ashwattama, a warrior on the Kaurava side, whose father, Drona, had been tricked into surrender by the Pandavas, was determined to avenge his father's death. In the stealth of the night, against the rules of war, Ashwattama creeps into the Kuru camp that is now occupied by followers of the victorious Pandavas. Infused by the power of Shiva, he attacks and kills these followers. At the height of his frenzied attack, Goddess Kaalratri appears.

Chapter 1 of the Durga Saptashati, verse 75, references the destructive concept personified by Goddess Kaalratri in all Puranas. The Skanda Purana describes Lord Shiva beseeching his wife, Parvati (the cosmic feminine creative force), to help the gods when they are terrorised by the demon-king, Durgamasur (NB: distinct from Goddess Durga, who is so-named for having killed this very demon). She accepts to help and sends Goddess Kaalratri, "...a female whose beauty bewitched the inhabitants of the three worlds...". Some sources claim that the Skanda Purana describes the Mother Goddess as Parvati (Durga) removing her golden skin, to reveal her Kaalratri black-skinned form."

In Varaha Purana, the name Raudri is used to reference Kaalratri. Chapters 90-96 describe Goddess Raudri (Kaalratri) killing the demon, Ruru. Vishnudharmottara Purana. makes reference to Goddess Kaalratri in the 48th adhyaya (chapter) of the third khanda (part), as being Dumordhana, the feminine counterpart to Lord Yama, the god of death.

Other scriptural references to Goddess Kaalratri include - the Lalita sahasranama storam (found in the Brahmanda Purana) and Lakshmi sahasranama stotram.

Etymology

The first part of the word kalaratri is kala. Kala primarily means time but also means black in honour of being the first creation before light itself. This is a masculine noun in Sanskrit. Time, as perceived by Vedic seers, is where everything takes place; the framework on which all creation unfolds. Vedic seers therefore conceived of kala as a powerful deity as much as a concept. This then gave rise to the Vedic image of the deified Kala as devourer of all things, in the sense that time devours all. Kaalratri can also mean the one who is the death of time. In the Mahanirvana Tantra, during the dissolution of the universe, Kala (time) devours the universe and is himself, engulfed by his spouse, the supreme creative force, Kali.

The second part of the word kalaratri, is ratri and its origins can be traced to the oldest of Vedas, the Rig Veda. According to the Ratrisukta of the Rig Veda, sage Kushika while absorbed in meditation realised the enveloping power of darkness and thus invoked Ratri (night) as an all-powerful goddess. Thus, the darkness after sunset became deified and was invoked by sages to deliver mortals from fears and worldly bondage. Each period of the night, according to Tantric tradition, is under the sway of a particular terrifying goddess who grants a particular desire to the aspirant. The word kalaratriin Tantra refers to the darkness of night, a state normally frightening to ordinary individuals but considered beneficial to worshippers of the Goddess.

Black references primal darkness before creation and also darkness of ignorance. Hence this form of goddess is considered as one who destroys the darkness of ignorance.

Invoking Goddess Kaalratri therefore empowers the devotee with the devouring quality of kala (time) and the all-consuming nature of ratri (night) - allowing all obstacles to be overcome and guaranteeing success in all undertakings. In summary, Kaalratri is the personification of the night of all-destroying time.

This form primarily depicts that life also has a dark side – the violence of Mother Nature that encompasses death and destruction.

Legend

Once there were two demons named Shumbha and Nishumbha, who invaded devaloka and defeated the demigods. Indra the ruler of the gods, along with the demigods went to the Himalayas to get Lord Shiva's help in retrieving their abode. Together, they prayed to Goddess Parvati (Durga). Parvati heard their prayer while she was bathing, so she created another goddess, Chandi (Ambika) to assist the gods by vanquishing the demons. Chanda and Munda were two demon generals sent by Shumbha and Nishumbha. When they came to battle her, Goddess Chandi created a dark goddess, Kali (in some accounts, called Kaalratri). Kali/Kaalratri killed them, thereby acquiring the name Chamunda.

Thereupon, a demon named Raktabija arrived. Raktabija had the boon that if any drop of blood of his fell onto the ground, a clone of him would be created. When Kaalratri attacked on him, his spilt blood gave rise to several clones of him. As such, it became impossible to defeat him. So while battling, Kaalratri furious at this, drank his blood to prevent it from falling down, eventually killing Raktabija and helping goddess Chandi to kill his commanders, Shumbha and Nishumbha.

Another legend says that Goddess Chamunda (Kali) was creator of Devi Kaalratri. Riding a powerful donkey, Kalraatri chased the demons Chanda and Munda and brought them to Kali after catching and incarcerating them. Then these demons were killed by goddess Chamunda.

Yet another legend recounts that, there was a demon named Durgasur who tried to attack Kailash, the abode of Parvati (Durga) in the absence of Shiva. Parvati got to know about this and created Kaalratri, instructing her to warn Durgasur against an attack. Durgasur's guards however tried to capture Kaalratri when she turned up as a messenger. Kaalratri then assumed a gigantic form and delivered the warning to him. Subsequently, when Durgasur came to invade Kailash, Parvati battled him and killed him gaining the name Durga. Here Kaalratri serves as an agent who gives the message and warning from Parvati to Durgasur.

The complexion of Kalaratri is that of the darkest of nights with bountiful hair and a heavenly shaped form. She has four hands - the left two hands hold a scimitar and a thunderbolt and the right two are in the varada (blessing) and abhaya (protecting) mudras. She wears a necklace that shines like the moon. Kaalratri has three eyes which emanate rays like lightning. Flames appear through her nostrils when she inhales or exhales. Her mount is the donkey, sometimes considered as a corpse. Blue, red and white colours should be used to wear on this day.

The appearance of Goddess Kaalratri can be seen as bearing doom for evil-doers. But she always bears good fruits for her devotees and should avoid fear when faced with her, for she removes the darkness of worry from life of such devotees. Her worship on the seventh day of Navratri is given especially high importance by Yogis and Sādhakas.

With her most horrific form, Kaalratri destroys the evil spirits, ghosts, negative energies and demonic entities. Listening to her very name, it is said these forces flee in terror. She represents the violent aspect of nature that creates havoc, but at the same time purges the world of its impurities.

It is believed that the planet Shani is governed by Goddess Kalaratri.

Temples

• Kalratri -Varanasi Temple, D.8/17, Kalika Galli, which is a lane parallel to Annapurna – Vishwanath
• Kaalratri Temple, Dumri Buzurg, Nayagaon, Bihar
• Kalratri -Vindhyachal, Mirzapur (UP).

Maa Katyayani

Katyayani Devi is worshipped as sixth form of Goddess Parvathi on the sixth day of the Navaratri. As per Hinduism, the form of Katyayani was adorned by Goddess Parvathi to destroy Mahishasura who was a ferocious demon. Katyayani is known to be the fiercest face of the Goddess and she is termed as the Warrior Goddess who fought against the evil and destroyed it completely. She is felicitated with various names such as Bhadrakali, Durga and Chandrika that speaks about her fearless form.

Depiction in scriptures

The Goddess appears in various Holy Scriptures as a symbol of Shakti (strength), knowledge, victory of good over evil and courage. She holds a prominent place in Hinduism and inspires devotees, especially female worshippers to face challenges and perceives the inherent strength within. One of the earliest references to Her have also been found in the Taittiriya Aranyaka part of the Krishna Yajurveda. She is also depicted in holy texts like DeviBhagavata Purana, Devi Mahatmyam, a section of the Markandeya Purana. Texts attributed to Buddhism and Jainism, Kalika Purana also mention Her vividly. Chapter 22 in the 10th Canto of the Bhagavata Purana speaks of Katyayani Vrata, where young marriageable gopis of Vrindavan would take bath in the river Yamuna and worship Katyayani. They observed a vrata throughout the month of Margashirsha to get Lord Krishna as their husband. Katyayani-vrata, a fast for a whole month is also observed and oerings like sandal, owers and incense are made by girls to marry the person they want.

Mythology

According to ancient legends, she was born a daughter of Katyayana Rishi, born in the Katya lineage originating from Vishwamitra, thus called Katyayani, "daughter of Katyayana". Elsewhere in texts like Kalika Purana, it is mentioned that it was Rishi Kaytyayana who first worshipped her, hence she came to known as Katyayani. In either case, she is a demonstration or apparition of the Durga and is worshipped on the sixth day of Navratri festival.

The Vamana Purana mentions the legend of her creation in great detail: "When the gods had sought Vishnu in their distress, he and at his command Shiva, Brahma and the other gods, emitted such flames from their eyes and countenances that a mountain of effulgence was formed, from which became manifest Katyayini, refulgent as a thousand suns, having three eyes, black hair and eighteen arms. Shiva gave her his trident, Vishnu a Sudarshan Chakra or discus, Varuna a shankha, a conch-shell, Agni a dart, Vayu a bow, Surya a quiver full of arrows, Indra a thunderbolt, Kuvera a mace, Brahma a rosary and water-pot, Kala a shield and sword, Visvakarma a battle-axe and other weapons. Thus armed and adored by the gods, Katyayani proceeded to the Mysore hills. There, the asuras saw her and captivated by her beauty they so described her to Mahishasura, their king, that he was anxious to obtain her. On asking for her hand, she told him she must be won in fight. He came and fought; at length Durga dismounted from her lion, and sprang upon the back of Mahisha, who was in the form of a buffalo and with her tender feet so smote him on the head that he fell to the ground senseless, when she cut off his head with her sword and hence was called Mahishasuramardini, the Slayer of Mahishasura., the legend also finds mention in Varaha Purana and the classical text of Shaktism, the Devi-Bhagavata Purana.

As per Karveer Mahatmya, Katyayani accompanied goddess Durga(Mahalakshmi) to Karvir (town)(present day Kolhapur) and participated in the war against demon Kolhasur. Raktabeej, an aide of Kolhasur, possessed a power (Siddhi) whereby every drop of his blood spilled on earth would give rise to a demon. Due to this power, Bhairava was finding it impossible to kill Raktabeej. Katyayani swallowed all of Raktabeej's blood without letting it fall on earth. She created an Amrut Kunda(tank of nectar) to rejuvenate Bhairava's soldiers, thus playing a crucial role in the war. Her temple to the South of Kolhapur commemorates this.

According to Tantras, she revealed through the North face, which is one six Faces of Shiva. This face is blue in colour and with three eyes and also revealed the Devis, Dakshinakalika, Mahakali, Guhyakah, Smashanakalika, Bhadrakali, Ekajata, Ugratara(fierce Tara), Taritni, Chhinnamasta, Nilasarasvati(Blue Saraswati), Durga, Jayadurga, Navadurga, Vashuli, Dhumavati, Vishalakshi, Parvati, Bagalamukhi, Pratyangira, Matangi, Mahishasuramardini, their rites and Mantras.

Elsewhere in history, Katyayani (not the form of parvaty) and Maitreyi are mentioned as a wives of Sage Yajnavalkya(याज्ञवल्क्य) of Vedic India, credited with the authorship of the Shatapatha Brahmana.

Legends associated with Katyayani 

A great legend is associated with the creation of the great Goddess Katyayani. The atrocities of the demon Mahishasura were assuming gigantic proportions. So powerful and evil was he that he aimed at destruction of the earth as well as the gods. Goddess Durga (Katyayani), equipped with powers and weapons from Gods, confronted the demon to ght him. He began changing his forms, one of which was that of a bualo. This legend has also been narrated in dierent ways, but the end result and the moral remain the same. The world and the gods were saved from annihilation in the hands of Mahishasura and a great divine female personality came to be worshipped devotedly.

Spirtual Beliefs

Goddess Katyayani Devi is been paid respect in many Holy Scriptures symbolized as Goddess of Strength, knowledge and courage as she is gained victory of good over evil. She has always been worshipped by the Hindus and has a respectful place in the Hinduism. It is said that her followers always inherit inner strength while facing the society. Her presence is found in many Holy Scriptures, puranas and vedas. There are her glimpses found in the texts attributed by the Jainism and Buddhism. It is said that the worshippers specically marriageable girls follow Katyayani Vratha for one month in order to get a husband as good as Lord Krishna. During this, the goddess is worshipped every day and sandal, incense and owers are oered by the devotees.

It is said that the Goddess Katyayani has special place for women and girls. Thus, during Pongal in the part of Tamil Nadu,young girls pray for the prosperity of the place throughout the month. The idol of Goddess Katyayani is carved from wet sand and worshipped during these period. The Goddess said to be possessing three eyes and eight hands and is a removal of all the negative forces from the place where it is worshipped. She is also worshipped on various form in the Northern Part of India and specically as Durga. Goddess Katyayani is remembered even in chants that are for the victory of good over evil, while starting a new business, possession of a new house and start of a new life.

Benefits of worshipping Maa Katyayani 

Devi Kanya Kumari (associated with Kanya Kumari, the southernmost tip of India, is believed to be an incarnation of Katyayani. During Pongal, the harvest festival observed in Tamil Nadu, young girls pray for abundance, rain and prosperity throughout the month. The idol of Goddess Katyayani, carved out of wet sand is worshipped, which is believed to shower upon girls whatever they ask for.

The word Katyayani also species the power to remove severity, pride and negative forces that befall an individual. Katyayani also implies destruction of ego that results in great struggles and suerings of the weak. She has three eyes and eight hands, which are an inherent part of ght against evil put up by Her. Worship of Katyayani is not restricted to women alone; males too can oer obeisance to Her to win love and marriage. Taking recourse to mantras and yantras dedicated to the Goddess are a sure way to attain love and Her blessings.

While earlier Gopis used to fast for an entire month, nowadays the ritual goes on from anywhere between 21 to 41 days. Young girls worship Maa Katyayani for the purpose of timely marriage. While performing the rituals, nine minor girls and three small boys are worshiped as well, in order to please this Devi and obtain her blessings.

While the Devi herself wears a yellow saree on this day, it is suggested that devotees should adorn themselves in orange color ethnic wear. Since the puja is done for the purpose of timely marriage, it is significant for girls to wear clothes that are orange in color.

Temple

Shri Katyayani Devi mandir is a mesmerizing Hindu temple devoted to goddess Katyayani. The temple is situated in Bakor in ta-Khanpur adjacent to Mahisagar district, which is just 3 km far away from Kaleshwari. The goddess Katyayani, which is one of the parts of Navdurga, is deliberated to be the 6th form of goddess Durga. Devotees from all caste and religion are greeted here.The temple has been built in north Indian architecture and is located in Gujarat. The temple is crafted with attractive and polished marbles which are spread over 70 acres consisting of 5 small & large temples divided into three different complexes. The temple complex also has other temples dedicated to Lord Ganesha, Lord Sai, Lord Hanuman and Lord Shiva.The focus of attraction of this temple is the idol figure of Devi Katyayani. It says that one & only idol in the form of stone.

Numerous festivals are celebrated here along with the auspicious festival of Navrati. The 5th day of Navrati is to be the day of arrival of Devi Katyayani. If you are planning to visit Bakor; try your best to visit Devi Katyayani's temple. The goddess Katyayani in Bakor takes the important place in the pre-historical period.

Devi Katyayani, who already resided here and come forward to welcome goddess Katyayani. Goddess DeviKatyayni is having very compassionaterelations. Even now every day during the morning Aarti at Bakor temple Devi Katyayani is supposed to be present every day ,When you visit that temple feel the greatness of Devi Katyayani, you get blessed, and full peace of mind.

Maa Skandamata

The 5th day of Navratri is dedicated to Goddess Skandamata, the 5th manifestation of Goddess Durga. Her name comes from word, Skanda which is just another name for war god Kartikeya and Mata is the term for mother. Thus she is known as the mother of Lord Kartikeya or Skanda.

Goddess Skandamata is portrayed as holding Lord Skanda in his infant form through her left hand and a lotus in her right hand. She has four arms, three eyes and a bright complexion. She is also called as Padamasani since she is often depicted as seated on a lotus flower. She is also worshiped in the form of Parvati, Maheshwari or Mata Gauri. The left arm of the goddess is in a pose to grant boons with grace to her devotees.

Story

The legend of Skanda is found in the Skanda Purana. Shiva and Parvati's energy combined into its own devine form when the two meditated. Indra came to know about this and assigned Lord Agni(Fire) to steal the ball of energy and keep it safe from Demon Tarakasur. Agni snuck in the cave and took the energy by deceit and lies in his hands. After meditation, Parvati realized that Lord Agni took the divine energy and chased after him. Lord Agni vanished with the divine energy and ran to Goddess Ganga. Meanwhile, Parvati came out of the cave and asked Gods why Lord Agni stole the divine energy. Gods answered her that they had to keep it safe from Demon Tarakasur. Parvati got angry and attained the form of Goddess Durga, cursed the Gods that their wives would never be able to enjoy happiness with their children and cursed Lord Agni that he would be an all-burner, unable to differentiate the differences between right and wrong, and that his food would have impurities, that he would always be surrounded by black smoke and that anyone who touched him in any one of the three worlds would reduce to ashes. Meanwhile, Shiva came out of the cave and placated her. Later, Shiva's son Kartikeya (or Murugan or Skanda) had taken birth from the six Kritikas(Mothers) and not Parvati. Nonetheless, the Goddess had accepted him as her own child, setting an example of being a great mother before the world. She took back Kartikeya, from Kritika Lok(Kritika world) to Kailash while riding Lion in her Durga form. As he grew, he learned about the boon given by Lord Brahma to Tarakasur that he could only be killed by Kartikeya. The Gods had given Kartikeya special powers and weapons, and Shiva and Parvati encouraged him to kill Tarakasur in the battlefield. Before Kartikeya left for the great battle, Parvati transformed herself as Goddess Durga again to bless him. With Parvati's(Goddess Durga's) blessings, he killed Tarakasur and his army. He was made the commander-in-chief by the Gods.


Significance

It is believed that she awards devotees with salvation, power, prosperity and treasures. She can grant oceans of wisdom even to most illiterate person, if he happens to worship her. Skandamātā who possesses the brilliance of the sun fulfills all the desires of her devotees. He who is selflessly devoted to her, attains all the achievements and treasures of life. The worship of Skandamātā purifies the heart of a devotee. While worshiping her, the devotee should have absolute control over his senses and mind. He should free himself from worldly bondage and worship her with a single-pointed devotion. Her worship is twice blessed. When the devotee worships her, Lord Skand, her son in her lap, is automatically worshipped. Thus, the devotee happens to enjoy the grace of Skandmata along with the grace of Lord Skand. If a devotee worships her devoid of selfishness, the Mother blesses them with power and prosperity. The devotees who worship Skandamātā shine with divine splendour. Her worship is ultimately conducive to salvation. She is regularly known as "The Goddess of Fire".

It is believed that the planet Budha is governed by Goddess Skandamata. 

Maa Kushmanda

Kushmanda is worshiped on the fourth day of the festival of Navratri (nine nights of Navadurga) and as the consort of Shiva. She is believed to improve health and bestow wealth and strength.

Kushmanda is a Hindu goddess, credited with creating the world with her divine smile. Followers of the Kalikula tradition believe her to be the fourth form of the Hindu goddess Durga. Her name signals her main role: Ku means "a little", Ushma means "warmth" or "energy" and Anda means "cosmic egg".

Kushmanda is depicted with eight hands holding a trident, discus, sword, hook, mace, bow, arrow and two jars of honey and blood. Her one hand is always on abhayamudra from which she blesses all her devotees. She rides on a tiger.

When the universe was non-existent and darkness prevailed everywhere, Maa Kushmanda produced the Cosmic egg with her smile, bringing light to the universe. Kushmanda has the power and strength to live in the core of Sun. Her luminosity gives the Sun its brightness. She is said to give directions to the Sun God, Surya.

Origin Of Goddess Kushmanda

According to the Durga Saptshati, Goddess Kushmanda created the universe. She is the one who controls the functioning of the solar system. She is the one who existed when there was nothing except darkness. Then She smiled and the universe was created, illuminated with light.
The core of the Sun is believed to be the residence of Goddess Kushmanda. She is the one who provides the energy to the Sun to shine and emit light to the universe. All the directions get illuminated by Her divine smile including the Sun itself. Goddess Kushmanda is depicted as an eight armed Goddess. In Her seven hands She holds a kamandalu, bow, arrow, lotus, a jar of nectar, mace and a discus. In Her eighth hand, She holds a rosary which has all the eight Siddhis and nine Niddhis. She rides a lion which represents 'Dharma'.

It is believed that if one worships Devi Kushmanda on the fourth day of Navratri, he/she is blessed with good health, prosperity, fame and strength. The rituals of worshipping the Goddess are elaborate. The worship begins with the worshipping of the Kalash. All the other Gods and Goddesses are invited to the Kalash. Then the puja begins by chanting the mantra of the Devi. The Goddess also loves the sacrifice of a pumpkin. Hence, sacrificing pumpkin in front of the Goddess is a crucial ritual of the fourth day.

Maa Kushmanda represents Anahata Chakra in spiritual practice. The divine blessings of Maa Kushmanda helps you improve your health and wealth. She removes all the hurdles and troubles from your life and enables you to get rid of all sorts sorrows in life. Maa brings light into darkness and establishes harmony in your life.

Maa Chandraghanta

Devi Chandraghanta is the third form of Goddess Durga. Her name Chandra-Ghanta, means "one who has a half-moon shaped like a bell. Her third eye is always opened and she always ready for war against demons". She is also known as Chandrakhanda, Chandika or Rannchandi. Her worship takes place on the third day of Navratri(the nine divine nights of Navdurga). She is believed to reward people with her grace, bravery and courage. By her grace all the sins, distresses, physical sufferings, mental tribulations and ghostly hurdles of the devotees are eradicated.

Legend

After Lord Shiva gave Parvati his word that he would not marry any woman, her sufferings overwhelmed him so much that he gave up, followed by a tearful reunion and then agrees to marry her. Soon, the joyous moment of Parvati's life comes. Shiva brings a procession of gods, mortals, ghosts, ghouls, goblins, sages, ascetics, Aghoris and Shivaganas to the gates of King Himavan's palace to take away his bride Parvati, on the occasion of his remarriage. Shiva arrives at King Himavan's palace in a terrorizing form and Parvati's mother Maina Devi faints in terror. Parvati appears to Shiva and sees his fearsome form, so to save her parents and other family members she transforms herself into Goddess Chandraghanta.

Chandraghanta persuaded Shiva to re-appear in a charming form. On listening to the Goddess, Shiva appears as a prince decorated with countless jewels. Parvati revived her mother, father and friends then Shiva and Parvati get married and made promises to one another.

She has eight hands holding a Trishula(trident), Gada(mace), bow-arrow, khadak(sword), Kamala(lotus flower), Ghanta(bell) and kamandal(waterpot), while one of her hands remains in blessing posture or abhayamudra. She rides on a tiger or lion as her vehicle, which represents bravery and courage, she wears a half moon on her forehead and has a third eye in the middle of her forehead. Her complexion is golden. Shiva sees Chandraghanta's form as a great example of beauty, charm and grace.

She rides a tiger or lion as her vehicle, representing bravery. This is a terrible aspect and is roaring in anger. This form of Durga is not completely different from earlier forms. It shows that when provoked she can be malevolent. Her malevolent form is said to be Chandi or Chamunda Devi. She is otherwise the very embodiment of serenity.

Chandraghanta is ready to destroy the wicked, but to her devotees she is a kind and compassionate Mother showering peace and prosperity. During the battle between her and the demons, the horrible sound produced by her bell sent thousands of wicked demons to the abode of the Death God. She is ever in a warring posture which shows her eagerness to destroy the foes of her devotees so that they may live in peace and prosperity. Divine vision is acquired by her grace. If a devotee happens to enjoy divine fragrance and hears diverse sounds, he is said to be blessed by the Mother.

The devotees who adore and worship her develop an aura of divine splendor. Their persons emit invisible power-waves which exercise a great impact on those who come in contact with them. They easily achieve success in life. Chandraghanta is ready to destroy the wicked, but to her devotees she is a kind and compassionate Mother showering peace and prosperity. During the battle between her and the demons, the horrible sound produced by her bell sent thousands of wicked demons to the abode of the Death God. She is ever in a warring posture which shows her eagerness to destroy the foes of her devotees so that they may live in peace and prosperity. Divine vision is acquired by her grace. If a devotee happens to enjoy divine fragrance and hears diverse sounds, he is said to be blessed by the Mother.

It is believed that the planet Shukra is governed by Goddess Chandraghanta. 

Mata Brahmacharini

Mata Brahmacharini is worshipped on the second day of Navratri(the nine divine nights of Navadurga).

 Maa Brahmacharini is depicted as walking on the bare feet and having two hands.
The goddess Brahmacharini wears a white saree with light orange shaded border and rudraksha as an ornament, holding Kamandal in one hand and also Rosary in the other.

The appearance of goddess Brahmacharini is quiet and absorbed in meditation and she also signifies love and loyalty, wisdom and knowledge. She is a unique blend of radiance who can be seen performing rigorous austerity and meditation. The effect of rigorous austerity can be seen on her face which highlights all the three worlds. So Bright Solar radiations behind her head glorify her lusture.

According to different versions of her myths, maiden Parvati resolves to marry Shiva.Rishi Narad advises her  to follow customs and rituals of rigid Tapasya of long eras in order to obtain Lord Shiva as her divine consort. Her parents learn of her desire, discourage her, but she pursues what she wants and did Tap for about 5000 years. She performed hard austerity and due to which She was called Brahmacharini.

It is stated that during her penance to get Lord Shiva as her husband She spent 1000 years on the diet of flowers and fruits and another 100 years on the diet on leafy vegetables while sleeping on the floor.

Further She followed strict fasting regimen while staying at open place in scorching summers, harsh winters and stormy rains. According to Hindu mythologies She was on diet of Bilva leaves for 3000 years while She prayed to Lord Shankar. Later She even stopped eating Bilva leaves and continued her penance without any food and water. She was known as Aparna when She left eating Bilva leaves.

Ultimately Lord Brahma addressed her and blessed her that she will decidedly get Lord Shiva as her divine consort.

In mean time Gods approached god Kamadeva - the Hindu god of desire, erotic love, attraction and affection and asks him to generate desire in Shiva for Parvati. They did this because of an asura named Tarkasur who gained the boon of being killed by only Lord Shiva's child. Kama reaches Shiva and shoots an arrow of desire. Shiva opens his third eye in his forehead and burns the cupid Kama to ashes. Parvati does not lose her hope or her resolve to win over Shiva. She begins to live in mountains like Shiva, engage in the same activities as Shiva, one of asceticism, yogin and tapas - it is this aspect of Parvati that is deemed to be that of goddess Brahmacharini. Her ascetic pursuit draws the attention of Shiva and awakens his interest. He meets her in disguised form, tries to discourage her, telling her Shiva's weaknesses and personality problems. Parvati refuses to listen and insists in her resolve. Shiva finally accepts her and they get married.

Goddess Brahmacharini is extremely radiant and majestic. Her appearance is quiet and absorbed in meditation. Brahmacharini address ‘Brahma’ (penance) and “Charini” (female follower/ devotee) as a result, she is the symbol of Goddess who performs Tapa or hard penance. So, she is also known as Devi Tapaswani and Devi Yogi. It is also believed  that goddess Durga resides on earth during nine days of Navratri as a result second day of Navratri is an auspicious time for penance and austerity. The person who do fast and chant mantras with full devotion during the second day, Devi blesses him with success, wisdom and knowledge.


Significance of worshiping Maa Brahmacharini

People worship her on the second day of the Navratri to acquire the ability for abstaining food and water while performing the penance during Navratri. It is a myth that with her blessing, one can fast for nine consecutive days during Navratri without affecting the health and one can gain the virtues for facing the challenges of mortal life with sheer determination.

Brahmacharini Durga is capable of providing unending benefits. By worshiping her the person inculcates penancing, renouncing, dispassion, ethical conduct and restraint in himself.
So by the grace of mother Brahmacharini he gets success and victory always and everywhere.
This way the mind of the striver moving upward, establishes in Swadhisthana Chakra. The Yogi, who makes his mind stay in this Chakra gets the devotion and blessings of the Goddess.

It is believed that Lord Mangal, the provider of all fortunes, is governed by Goddess Brahmacharini.

Process to worship Maa Brahmacharini

Sit in the lotus position and also recite the mantra  “om durgaaye namaha” for at least 11 times.
Offer a pair of cloves and honey in betel leaves to Goddess Brahmacharini and also donate milk in  a glass.

Give some food including rice to poor pre-pubescent girls who are below the age of 8 years.
Wear white or yellow clothing for the prayer to Maa and meditate to Maa. You will get knowledge, respect, and a peace of mind. Concentrate on the swadhisthaan chakra. It will help you get rid of negativity through the vibrations coming through this meditation.

Use various dishes made of sugar as Prasad because on this day peoples offer the sugar to the goddess Brahmacharini. Use garlands made of hibiscus and lotus flowers  as they are also considered ideal to worship goddess Brahmacharini.

Offer Sugar and fruits  as Bhog to Goddess Brahmacharini on the second day of Navratri. People believe that it  increases the longevity of the family members and also increases love between people.

Mata Shailaputri

Shailaputri is the first form amongst Navadurga or nine forms of Hindu goddess Durga or Shakti, worshipped on first day during the Navratri celebrations – the nine divine nights. She is the first among Navadurgas and the first day of Navratri pooja is dedicated to Durga Shailaputri. Variously known as Sati, Bhavani, Parvati or Hemavati. Maa Shailaputri is the absolute form of Mother Nature. She is also known as Goddess Parvati the consort of Lord Shiva and mother of Ganesha and Kartikeya. In the Navratra festival the worshiping Mother Goddess has a half moon in her forehead & she is holding a trident in her right hand & lotus flower in her left hand. she rides on mount Nandi (bull).

She is daughter of Himalaya and first among nine Durgas. Shailaputri literally means daughter(putri) of the mountain(shaila). Goddess Durga was born in the house of King of Mountains “Parvat Raj Himalaya”, so she is called “Shailaputri” means the daughter of mountain. Variously known as Sati Bhavani, Parvati or Hemavati, the daughter of Hemavana - the king of the Himalayas.

The embodiment of the power of Brahma, Vishnu and Shiva, she rides a bull and carries a trident and a lotus in her two hands. In previous birth, she was daughter of Daksha. Her name was Sati - Bhavani. i.e. wife of Lord Shiva. Once Daksha had organized a big Yagna and did not invite Shiva. But Sati being obstinate, reached there. Thereupon Daksha insulted Shiva. Sati could not tolerate the insult of husband and burnt herself in the fire of Yagna. In other birth, she became the daughter of Himalaya in the name of Parvati - Hemavati and got married with Shiva. As per Upanishad, she had torn and the egotism of Indra, etc. Devtas. Being ashamed they bowed and prayed that, "In fact, thou are Shakti, we all - Brahma, Vishnu and Shiva are capable by getting Shakti from you."

In some scriptures like Shiva Purana & Devi-Bhagavata Purana the story of Mother Goddess is written as follow: Maa Bhagwati in her earlier birth was born as a daughter of Daksha Prajapati. Then her name was Sati and she was married to Lord Shiva. But in a sacrificial ceremony organized by her father Prajapati Daksha, she got her body burnt in the yogic fire, because she could not bear the insult of her husband Lord Shiva by her father Prajapati Daksha in the sacrificial ceremony.

In her next birth she incarnated her as Goddess Parvati, the daughter of Parvat Raj Himalaya and among Nava Durgas she has been referred to as Shailaputri, who was again known as Hemavati. In her Hemavati aspect, she defeated all prominent gods. Like her previous birth, in this life also Maa Shailaputri(Parvati) got married with Lord Shiva. The first and the most prominent among Nav Durgas, Shailaputri is of immense importance and her glories are endless. On the first day of Navratri worship it is she who is worshipped.

She is Devi of the root chakra, who, upon awakening, begins Her journey upwards. Sitting on Nandi and making her first journey from the Muladhara chakra. As from her father to her husband – the awakening Shakti, beginning Her search for Lord Shiva or making a move towards her Shiva. So that, In Navratri pooja the first day Yogi’s keep their mind concentrated on Muladhara. This is the starting point of their spiritual discipline. They started their Yogasadha from here. Shailaputri is the Muladhara Shakti to be realized within Self and sought for higher depths, in the yogic meditation.

Shailaputri means the daughter of the Himalaya. SHAILA is the derivative of the word SHILA. Shila means a rock, a stone. It is the rock of spiritual standing and the whole world gets strength from the Shailaputri aspect of Purna Prakriti DURGA.

From the Yogic point of view, the First Navratri is considered to be very auspicious day. This is the Yogic start for being in tune with the Divine Mother Durga. Those who want to have any kind of initiation in the Shakti Mantras, can have it on the First of Shukla Pratipada.

The aspiration of a devotee is to reach higher and further higher, for spiritual evolution, and for the attainment of Siddhi, which is perfection associated with Ananda(bliss). Verily, Shailaputri is the Muladhara Shakti to be realized within Self and sought for higher depths, in the YOGA-maditation. This is an experience in the soul-searching of Immutable within human existence. Shailaputri is the physical consciousness of the Divine Mother Durga. She is truly PARVATI, daughter of the King Hemavana, as described in the Shiva Purana. Shailaputri is the manifestation of this earth planet, which includes what is apparent on this earth, and within the globe. Shailaputri covers all the hills, vales, water resources, seas and oceans, including atmosphere.

Therefore, Shailaputri is the essence of the earthly existence. Her abode is in the Muladhara Chakra. The divine Energy is latent in every human being. It is to be realized. Its color is crimson. The Tattva(element) is Earth, with the Guna(quality) of coherence, and with the Bheda(distinct) characteristics of Ghraana(the smell).

Shailaputri Temple is located at Varanasi. Married women visit the Shailputri temple to pay their respects and ask for the well-being of their husbands. Usually, red flowers, coconuts and a red piece of cloth called “chunri” are offered to the Goddess as part of Hindu rituals during Navratri.
On the first day of Navratri, a huge aarti (prayer session) is held at the Shaiputri temple in Varanasi. Prayers are followed by katha or mythological story sessions that glorify and praise Goddess Durga.

Shri Saibaba Shirdi

The shrine which houses Baba’s tomb was originally constructed as a wada (large private house) during Baba’s last years in his physical body. It is built on some land that Baba had tended as a garden. The wada was originally intended as a rest house and mandir. The inspiration for the building came to Booty in a dream, when he was sleeping beside his friend and fellow devotee, Shama, Baba appeared and told him to build a house and temple. The shrine was built by a wealthy devotee from Nagpur, Gopalrao Booty. The Sri Sai Satcharitra describes him as a “multimillionaire”. He was introduced to Baba by S. B. Dhumal about ten years before Baba’s Mahasamadhi.

The work was begun around 1915. It was built in stone and was therefore known as dagadi (stone) wada. Shama supervised the construction of the basement, ground floor and well. Later, Bapusaheb took over job of supervising the work.

When Baba passed the site on his way to Lendi, he would sometimes offer suggestions. As the building progressed, Booty asked Baba if he could include a temple on the ground floor with an statue of Murlidhar (a form of Lord Krishna). Baba readily gave permission, and said, “When the temple is built, we shall inhabit it and ever afterwards live in joy.” Shama then asked Baba if that was an auspicious time to start the work and Baba replied that it was. Shama immediately fetched and broke a coconut as Mahurat (good omen) and the work was begun. The foundation was quickly laid, a pedestal prepared and an order placed for the idol. However, the significance of Baba’s comment was appreciated a few years later.

On 15 October 1918 he lay with his body fading fast. His last words were ,”I am not feeling well in the masjid. Carry me to the dagadi wada”.

Baba was indeed carried to the wada, and was buried in the place where the image of Murlidhar was to have been placed: an edifice was later raised over the tomb.

Baba took Mahasamadhi on Tuesday 15 October 1918. Thirty-six hours after he had left his body, Baba was finally interred. A photograph of Sai Baba was placed on a throne on the platform of the tomb. It remained there until the statue was installed in 1954. That picture is now kept in the recess of the Samadhi Mandir where some other things of Baba’s are on display.

The Mandir that we see now is about twice the size of the original building, having been later extended back from the stone arches. As the temple authorities try to find new ways of coping with the ever-increasing flow of visitors, various alternations are made. In 1998 a hall was added to the back of the mandir, so that it has again almost doubled in size. A big beautiful hall, connecting Masjid (Dwarkamai) has been built up.

The temple premises of Shri Saibaba is spread in approximately 200 sq. mtrs. It is situated in the heart of Shirdi village and is a major center of pilgrims from all over the world. The complex contains KHANDOBA TEMPLE, GURUSTHAN,
SAMADHI MANDIR, DWARKAMAI, CHAVADI, LENDI GARDENS and some other temples.

Additional info on http://mandirinfo.com/TempleDetails.aspx?HID=2

The Devi Talab Mandir

Shri Devi Talab Temple is situated in the heart of Jalandhar city of Punjab state. The temple is counted among the fifty one Shakti Peeth of India. It is one of the oldest temples of Goddess Durga laid down in the city which is believed to be existent since two hundred years.

The Devi Talab Mandir has the distinction of being one of the 51 prominent Shakti Peethas on the subcontinent. The temple marks the spot that was blessed with Maa Sati’s right breast. Beside the main temple, there is an ancient temple of Goddess Kali and an old large masonry tank which is considered to be sacred by Hindu devotees. Goddess Kali is also known as Tripurmalini Devi.

This temple is adjoined by famous Lord Shiva temple, which is called as Bhisan Bhairav temple. The temple of Lord Shiva is built in the famous Amarnath Gufa style which is the prime attraction for locals.

During Navratris the view of temple becomes absolutely magnificent and people from all around the places come here to see the astonishing aura of Goddess Durga.

This temple is very famous for the "Harballabh Sangeet Sammelan”, which is organized every year in the month of December. The main purpose of Harballabh Sangeet Sammelan is to promote Indian classical music on a wide scale. Famous classical music exponents - both instrumental and vocal - come together and perform in this fair.

Addtional info on http://mandirinfo.com/TempleDetails.aspx?HID=399

Jwala Devi Mandir

Shri Jwala Devi Mandir is one of the major '51 Shakti Peethas' of India. Jwala Devi Temple is located at a distance of 34 kms in south of Kangra in Himachal Pradesh. Even from Dharamshala, it lies at a stretch of 56 kms and moreover, it is easily accessible by the regular buses from both the places. It is here that Sati’s tongue fell which can now be seen in the form of the flame.

This temple is dedicated to Goddesses Jwalamukhi (with flaming mouth, the temple is believed to have nine permanent flames named after the goddesses- Mahakali, Unpurna, Chandi, Hinglaj, Bindhya Basni, Maha Lakshmi, Saraswati, Ambika and Anji Devi. It is said that centuries ago, a shepherd saw the flames for the first time and Raja Bhumi Chandra, the ruler of the area had the original temple built. The Mughal Emperor Akbar installed a gold parasol and Maharaja Ranjit Singh had the dome gilded. Across the courtyard is Devi’s bed chamber and above the temple is the shrine of Baba Gorakhnath. Jwalamukhi Mandir is built on a wooden platform in the "Indo-Sikh" style of architecture. The structural design of the temple is simple, but the religious aura makes it undoubtedly divine.The dome and spire of this temple are covered with Gold. The main door of the shrine is plated with silver. In front of the main shrine, there is a huge brass bell that was presented by the King of Nepal.

The temple also has a great historical significance dating back to the reign of Mughal emperor Akbar. Amazed at the continuity of these flames, he tried to extinguish these. He tried a lot of methods for this but in vain. Finally, he submitted to the power of the goddess. He went to the shrine bare footed and presented a golden umbrella to the goddess. But the goddess denied this offering and the Chhatra turned into a colossal metal. Maharaja Ranjit Singh of Punjab also paid a visit to the temple in the year 1809. The building of the temple has a gilt dome gifted by Maharaja Ranjit Singh and silver plated folding doors.
Inside the temple, there is a 3 feet square pit with pathway all around. In the centre of which is a hollowed rock over a primary fissure of flame. This one is regarded as the mouth of Mahakali.

The main attraction of the temple is the Aarti session, which is performed five times a day that begins early morning then at sun rise, afternoon, evening and continues till bed time of the goddesses. Apart from these, the evening Aarti (Shaiyan Aarti), performed before bed time is unique and different. The bed of the Goddesses is piled up with rich dresses decorated with precious ornaments.

Besides this main temple, there are Gorakh Dibbi, Chaturbhuj temple and many small shrines situated in the vicinity of Jwalaji temple.

Additional info on http://mandirinfo.com/TempleDetails.aspx?HID=397

Arbuda Devi Temple

The Adhar Devi Temple is an ancient 5500 years old temple dedicated to the Goddess Durga. Adhar Devi Temple is one of the popular religious sites in Mount Abu. It is located three kilometers north of the main town of Mount Abu.

The Adhar Dev temple is also known as Arbuda Devi temple, as it is considered one of the Shaktipeeth. This temple is reached going up to 365 staircase carved in the mountain. The temple itself is placed inside a rocky crack and is reached by crawling through a small opening in the cave. Mount Abu was originally called Arbudanchal, named after Arbuda Devi.

As per popular legend of the locality, the temple was named after the 'Adhar' (Adhar meaning the lip ) of the Goddess Durga, which fell at this site and was found hanging in mid-air.

Another legend says that once there was a snake named “Arbud” brought Nandivardhan to the hill and he had a boon from the Lords that all the 33 crores of devas will reside in it. Hence, the place is called “Arbuda Devi” and it is believed that you can have the blessings of all the devas here in one place.

Pilgrims gather in the temple in huge number to offer their prayers to the god. The Navaratri festival is the main festival is grandly celebrated here and during the 9 days of the festival the quantity of pilgrims increases.

One has to reach the temple by climbing 365 steps. But the efforts are worth as you can see the whole city from its top. And have the picturesque view of the forest as well the city together. The whole temple is carved beautifully from rocks and the shrine is said to be residing inside one huge cave carvings. It is one of the most beautiful cave temples in India.

Additional info on http://mandirinfo.com/TempleDetails.aspx?HID=396